Virgil Kills inequality Feeling a growing suspicion toward

Feeling a growing suspicion toward exhibition formats

in col­lab­o­ra­tion with Paul John

alumnus of the Jan Van Eyck Academie and printed in the Printing & Publishing Lab of the academy

sociocultural and ecological researches and embodied explorations with/ in the liminal terrain of the Fens

using monsters as a theme to summon the inner narratives of artists and designers

Virgil Kills inequality Feeling a growing suspicion towardVirgil kills forms, manifesting a set of poetic investigationsrevealing black and brown life, memory, dreams, the sea, the sex act, the line. Virgil travels in theaters and lots: Manhattan, Guam, Santa Cruz, Sacramento, Berlin, Iloilo, Provincetown, Millington, San Francisco, Long Island, Western Mass. Virgil moves against class, whiteness, on stages, at lecterns, in studios, and a luxury vehicle. Virgil records in the sensorium of cruising lovers,